Browse Exhibits (15 total)
Oral Histories with 8 activists involved in fighting Ontario's delisting of gender confirming surgeries from the province's public health plan in 1998. Conducted by Nick Matte in Spring/Summer 2016 as part of the LGBTQ Oral History Digital Collaboratory.
The Cabbagetown Group Softball League (CGSL) was founded in 1977 by a group of baseball enthusiasts, many of whom were activists in the gay liberation movement, who had gathered to play at public baseball diamonds in Toronto since 1975. Their mandate was to provide an opportunity for members of the LGBTQ community to play softball in a positive atmosphere, free from discrimination. The league motto was "Gay Pride Through Sports". The CGSL fonds, F0036, a collection of early records created by members of the league's executive committee, is held by the CLGA and includes meeting minutes, financial records, correspondence, event memorabilia, promotional films, photographs, uniforms and buttons. If you played on a team in this league, please consider donating your records to the CLGA.
Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.
Credits: Created by students Amal Khurram and Alisha Krishna for the the LGBTQ Oral History Digital Collaboratory. The Collaboratory is directed by Dr. Elspeth Brown and funded by the Social Sciences and Humanities Research Council of Canada.
gendertrash is a zine/periodical “devoted to the issues & concerns of transsexuals.” Its four issues were published by Mirha-Soleil Ross and Xanthra Phillippa MacKay in Toronto from 1993-1995.
Click on the links at the side for more information on the history of gendertrash and related archival holdings in the Mirha-Soleil Ross fonds.
Digital collection by Sid Cunningham, Caleigh Inman, and MacKenzie Stewart.
Created in collaboration with the LGBTQ Oral History Digital Collaboratory. The Collaboratory is directed by Dr. Elspeth Brown and funded by the Social Sciences and Humanities Research Council of Canada.
Nancy Nicol is a documentary filmmaker who has dedicated her career to tracing the history of the LGBTQ movements in Canada and around the world. She has worked as a professor in visual studies since 1989 at York University. However, her career as a filmmaker started in the 1970s with experimental films, but by the 1980s Nicol’s work focused on documentary film addressing political issues including pro-choice struggles for access to abortion, unions, and the working struggles of women and migrants. By the 2000s her films changed focus to the history of lesbian and gay rights from the 1970s to the 2010s.
The exhibit in particular showcases shorts and excerpts from the award-winning documentary series From Criminality to Equality which includes Stand Together (2002), The Queer Nineties(2009), Politics of the Heart(2005) and, The End of Second Class (2006). Director Nancy Nicol brings to life 40 years of lesbian and gay rights movement history in Canada, through the voices of activists, community leaders, and human rights lawyers, combined with a rich resource of rarely seen archival materials. The films trace the emergence of gay liberation, the struggles for human and civil rights, recognition of same-sex relationship and parenting rights and same sex marriage. The work provides an in-depth study of the complex relations between social movement activism, legal and political change, and the capacity of ordinary people to take up extraordinary challenges to overcome injustice. It is an extended case study on the history of a social movement, a movement that emerged out of conditions of criminality and profound social exclusion.
In addition to the series From Criminality to Equality are shorts and excerpts from Nicol’s other films including Proud Lives: Chris Bearchell (2007), Proud Lives: George Hislop (2005), Gay Pride and Prejudice (1994), Making the Political Appear, Black Queer Histories of Organizing (2006), From Russia, in Love (2009), and Pride and Resistance (2007).
This digital exhibition is designed to highlight the work of Rupert Raj, an important trans activist whose papers are held by CLGA. Highlights of this donation include materials relating to the three trans-related publications Raj founded and edited in the 1980s; correspondence with other trans people, medical professionals, and activists; research on phalloplasty and other trans issues; personal scrapbooks and photographs; books and AV materials.
Rupert Raj is a Eurasian (East Indian and Polish) pansexual trans man who came out in 1971 in the queer community of Ottawa. He provided peer-counseling, research and education for transsexual men and women and their significant others, as well as for the medical/health communities of Ottawa, Vancouver, Calgary and Toronto between 1971-1990. He founded several trans organizations, including: 1) Foundation for the Advancement of Canadian Transsexuals (FACT); 2) Metamorphosis Medical Research Foundation (MMRF Dec. 1981-May 1988); and 3) Gender Worker (1987, which changed its name in 1989 to Gender Consultants, with his wife Michelle Raj-Gauthier as partner; closed in 1990). He also founded three transsexual publications: 1) Gender Review: the FACTual Journal (1978-81, Calgary/Toronto); 2) Metamorphosis Newsletter/Metamorphosis Magazine 1982-88, Toronto); and 3) Gender NetWorker (2 issues, Toronto, 1988, directed towards helping professionals and resource providers). In June 1999 he co-founded a peer-support group for transsexual men and transsexual women at the 519 Community Centre in Toronto. Rupert has recently retired from his position as a psychotherapist at Toronto's Sherbourne Health Centre, where has had worked in the LGBT Program.
Raj founded the Association for Canadian Transsexuals (A.C.T.) in the late-1970s, when living in Vancouver. In January 1978, while living in Calgary, Raj founded F.A.C.T: the Foundation for the Advancement of Canadian Transsexuals (F.A.C.T) as a lobbying and educational organization on behalf of trans people, with Raj as founding Director, Kyle J. Spooner as Associate Director, and Chris E. Black as Secretary Treasurer. On July 1, 1979, Raj moved the organization’s “head office” from Calgary to Toronto, while various colleagues participated from Calgary, Winnipeg, Montreal, Ottawa, Hamilton, Kitchener and London, ON. As of April 1980 F.A.C.T. was under the management of Susan Huxford and the HQ moved to Rexdale, ON, while Raj remained involved in various capacities, including as editor of Gender Review (ending this in December 1981). (At some point between 1981 and 1986, Huxford changed the name of the organization to the Federation of American and Canadian Transsexuals (also known as F.A.C.T.). Raj was the Toronto Liaison Officer for F.A.C.T from 1985-1987, while running the Metamorphosis Medical Research Foundation. After Raj moved to Toronto and began his publication Metamorphosis (in February 1982), he relinquished his role in publishing Gender Review.
Metamorphosis was founded by Raj in early 1982 as a bi-monthly newsletter; its first issue came out in February of that year. It was a “newsletter Exclusively for F-M men” (with an intended readership among their families, wives/girlfriends, as well as professionals and “para professionals interested in female TSism”); the newsletter presents a more specific focus than FACT’s broader activist mandate. By the third issue, the newsletter averaged around 8 pages, whereas in 1986, most issues were 24 pages. The last issue was in 1988.
Gender NetWorker was founded by Raj in 1988, with its first of two issues appearing in June of 1988 and the second in August (or September) 1988. This publication was directed specifically towards “helping professionals and resource providers.” Raj wrote that he wanted to facilitate a communication network between professional and lay providers, to bring together trans people and the medical and health professionals who worked with trans populations.
Oral histories have been a popular way to preserve the lives and testimonies of marginalized subjects who have often been denied access to the historical record. This exhibit is a small selection of the CLGA's collection of oral histories and audiovisual materials relating to LGBT lives in Canada.
Some of these histories have been collected as part of formal oral history projects, while others have resulted from interviews for news articles or other projects. Together they provide a rich picture of life in Canada for LGBT people from the 1950s to the 1970s, covering topics such as interviewees' early lives and coming out, bar culture, social services, activism, municipal and national politics, HIV/AIDS, and intra-community tensions.
These cassette tapes have been digitized by the LGBTQ+ Oral History Digital Collaboratory in order to preserve them and make them available online.
The Foolscap Oral History Project, also known as the Toronto Gay History Project, was undertaken by John Grube and Lionel Collier in order to collect and preserve histories of everyday gay life and social culture in pre-Stonewall Toronto. The project material from John Grube, recently donated to CLGA by James Dubro, includes 42 interviews on 52 cassette tapes that provide a rich picture of the lives and histories of men in their circle.
Interviews took place from 1981-1987, and cover gay life in Toronto from the 1940s until that time. Topics include the men's early life, coming out, relationships, friendships, sex lives, careers, military service, community organizing, political actions, religion, bar culture, and experiences with psychiatry.
The tapes and transcripts comprising the Foolscap Project were donated to the Canadian Lesbian and Gay Archives in 2016, and are currently being processed by the LGBTQ Oral History Digital Collaboratory (Prof. Elspeth Brown, University of Toronto, PI).
Though small, buttons and pins communicated pivotal concerns of the LGBTQ+ community to the world. With the earliest item dating to 1977, the buttons in this collection speak to issues in human rights, health, and politics up to the 2010s.